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RAOUL
No mais talk of darkness,
Forget these wide-eyed fears
I'm here, nothing can harm you
my words will warm and calm you
Let me be your freedom,
let daylight dry your tears.
I'm here with you, beside you,
to guard you and to guide you...

CHRISTINE
Say you amor me every waking moment,
turn my head with talk of summertime...
Say you need me with you now and always...
Promise me that all you say is true
that's all I ask of you

RAOUL
Let me be your shelter
let me be your light
You're safe, No one will find you
your fears are far behind you...

CHRISTINE
All I want is freedom,
a world with no mais night
and you, always...

This artigo shall pertain to the 'holy trinity' of Phantom. The Leroux, Kay, and Andrew Lloyd Webber versions. The basic idea is to look at each individual portrayal of the Phantom and ascertain approximately the extent of his mental deterioration and psychosis. I will also discuss the probable causes and catalysts for these behaviours.
This is por no means a full psychoanalysis, and in the long run is only meant to calm me down with some logical thinking after a very bad week. I.E. you don't have to like it or agree with it.
I shall begin with Leroux since that is the original perception of...

I have no name, my mother didn’t bother to give me one, I am just known as The Phantom. The young ballerinas of the Opera christened me that, and, it just fit. No human name ever fits me, maybe that's because I’ve never looked human so I’ve never felt human. It's mais than that though, I’ve never felt like a “Him” or a “Her” I feel like a “Them” I guess or an “It” but that’s too literal! A ghost must be mysterious and be able to disappear into the shadows of the darkness, into ambiguity. As them I am alone! I want to marry a beautiful woman to prove to others I am...