Stephenie Meyer's latest novel is The Host, a paranormal romance which takes place after most of humanity has succumbed to an alien species that takes over people's minds, but leaves their bodies healthy and disease-free. Melanie Stryder is a feisty human who refuses to allow the invading alien soul named Wanderer to take over her mind. Melanie pursues her lost amor interest, compelling Wanderer to come along for the journey. When Wanderer falls in amor with Melanie's boyfriend, things get a bit tricky.
The Host has already found its way onto the New York Times bestseller list. In this interview, Meyer talks about what inspired her to write the book, how she approaches composição literária romantic science fiction and what composição literária projects she's working on next.
What inspired the idea for The Host?
The kernel of thought that became The Host was inspired por absolute boredom. I was driving from Phoenix to Salt Lake City, through some of the most dreary and repetitive desert in the world. It's a drive I've made many times, and one of the ways I keep from going insane is por telling myself stories. I have no idea what sparked the strange foundation of a body-snatching alien in amor with the host body's boyfriend over the host-body's protest. I was halfway into the story before I realized it. Once I got started, though, the story immediately demanded my attention. I could tell there was something compelling in the idea of such a complicated triangle. I started composição literária the outline in a notebook, and then fleshed it out as soon as I got to a computer. The Host was supposed to be no mais than a side project - something to keep me busy between editing stints on Eclipse - but it turned into something I couldn't step away from until it was done.
Did you approaching composição literária The Host, your first adult novel, differently than your YA series?
Not at all. Like the Twilight Saga (this is probably the only way The Host is like the Twilight Saga!), The Host is just a story I had fun telling myself. My personal entertainment is always the key to why a story gets finished. I never think about another audience besides myself while I'm writing; that can wait for the editing stage.
You have referred to The Host as being a science fiction novel for people who don't like science fiction. Can you explain why?
leitura The Host doesn't feel like leitura science fiction; the world is familiar, the body you as the narrator are moving around inside of is familiar, the emotions on the faces of the people around you are familiar. It's very much set in this world, with just a few key differences. If it weren't for the fact that alien stories are por definition science fiction, I wouldn't classify it in that genre.
There is a lot of internal dialogue between Wanderer, the narrator and invading "soul", and Melanie, the human whose body Wanderer is now living inside. Each character has her own distinct voice and internal struggle. Was it a challenge to have the two characters, who essentially take up one body, stand on their own?
Wanderer and Melanie were very distinct personalities to me from dia one; keeping them separate was never an issue. Melanie is the victim - she's the one that we, as humans, should identify with; at the same time, she is not always the mais admirable character. She can be angry and violent and ruthless. Wanderer is the attacker, the thief. She is not like us, not even a member of our species. However, she is someone that I, at least, wish I was mais like. She's a better person than Melanie in a lot of ways, and yet a weaker person. The differences between the two main characters are the whole point of the story. If they weren't so distinct, there would have been no reason to write it.
Did any of the characters surprise you while writing?
I am constantly surprised por my characters when I write - it's really one of my favorito parts. When a character refuses to do what I had planned for him or her, that's when I know that character is really alive. There were several characters who caught me off guard with The Host. One in particular was slated for a bit part as the wingman to the villain. Somehow, he knew he was mais than that, and I couldn't stop him from morphing into a main amor interest.
Your Twilight series has had a lot of crossover appeal for adult readers, do you think The Host will also appeal to your younger readers?
I've had a great deal of interest from my YA readers about the release of The Host. I have no doubt that they will continue to make up a core part of my readership. I amor blurring the lines between the different genres and categories - because in my head, a good book won't fit inside the lines. I hope that The Host continues to do what the Twilight Saga is doing: showing that a good story doesn't belong to any one demographic.
How do you feel about the enormous success that you've had with the Twilight series? How has it changed your life?
I am continually shocked por the success of my books. I never take it for granted, and I do not count on it in my expectations of my future. It's a very enjoyable thing, and I'll have fun with it while it lasts.
I've always considered myself first and foremost a mother, so being a writer hasn't changed my life too much - except I do travel a lot mais and have less free time.
What adult authors do you read?
I've been leitura books for adults my entire life. Growing up I was an avid reader - the thicker the book, the better. Pride and Prejudice, Gone with the Wind, The Sword of Shannara, Jane Eyre, Rebecca, etc. I'm a huge fã of Orson Scott Card, and Jane Austen - I can't go through a ano without re-reading her stuff again.
What's next?
I'm currently finishing composição literária the fourth book in the Twilight saga, Breaking Dawn, which will embrulho, envoltório up Bella and Edward's story. I plan to then write Midnight Sun, which is Twilight told from Edward's perspective. After that, I may write some sequels for The Host, or a may pull another outline from my files to play with. I won't stop writing; there are too many stories I want to tell.
