Long atrás (thirty-five years and seven months, to be exact) and in a galaxy far, far away, producer-director-writer George Lucas made film history with the release of his movie, "STAR WARS: EPISODE IV - A NEW HOPE". Only, during the summer of 1977, it was simply known as "STAR WARS". And this science-fiction/fantasy homage to Saturday morning serials and mythology was something that moviegoers had never seen before.
Now considered as the fourth film installment of Lucas' estrela WARS saga, "A NEW HOPE" chronicled the adventures of a space-aged farmboy named Luke Skywalker, who finds himself swept up in a galactic conflict between a tyrannical empire and a band of rebel fighters determined to return freedom to the galaxy. Not only did the film introduced the concept of the summer blockbuster and created a movie/television/literary franchise that made billions for its creator, it also became the segundo highest grossing film in Hollywood history (as of 2012) and ushered in a new age for movie special effects. This movie has made such a major impact upon Hollywood that its effects are still being felt to this day.
"A NEW HOPE" began with an opening crawl describing a galaxy in a state of civil war. Spies for the Rebel Alliance have stolen the plans for the Galactic Empire's new weapon - a heavily armed and armored o espaço station capable of destroying an entire planet called the Death Star. One of the Rebel Alliance leaders, Princess Leia Organa of Alderaan, is in possession of the Death estrela plans when her ship is attacked por Imperial forces under the leadership of the Sith Lord Darth Vader. Before she could be captured, Princess Leia hides the plans and a holographic recording into the memory of an astromech droid called R2-D2. The small droid and its companion, a protocol droid named C-3PO flee to the surface of the desert planet Tatooine. While Darth Vader sends a contingent of stormtroopers to look for the droids, R2 and 3PO find themselves captured por Jawa traders, who sell them to a moisture farmer and his nephew named Owen Lars and Luke Skywalker.
Luke, who is an orphan, yearns to leave his uncle's farm and find adventure in the stars. He finds it when he releases Princess Leia's holographic recording, while cleaning R2-D2. The recording is for a man named Obi-Wan Kenobi. Surmising that Obi-Wan Kenobi and Ben Kenobi, who is a neighbor of his Uncle Owen, are one and the same; Luke delivers the droids and the message to the aging hermit. The young man also discovers that Kenobi is a former Jedi Master, who knew his father Anakin Skywalker, who used to be a Jedi Knight. Obi-Wan suggests that Luke help him deliver the Death estrela plans to Princess Leia's father on Alderaan. At first, Luke rejects the offer. But when his Uncle Owen and Aunt Beru are found murdered por Imperial stormtroopers looking for the droids, Luke decides to cadastrar-se Obi-Wan on the latter's new adventure. They recruit the services of two smugglers - Han Solo and Chewbacca - to convey them to Alderaan. The journey proves to be a new beginning not only for Luke, but also his new companions.
I have a confession to make. When I first saw "A NEW HOPE" during the summer of 1977, I did not like it at all. Looking back, I realize that my hostile feelings toward the movie stemmed from a sense of being overwhelmed por something I found mind blowing and completely new. The release of "THE EMPIRE STRIKES BACK" and "RETURN OF THE JEDI" eventually eased the impact of Lucas' saga upon my psyche. But it took several years for me to first warm up and eventually embrace "A NEW HOPE". Despite my eventual amor for the movie, I have never viewed it as my favorito of the saga (so far) . . . or as one of my topo, início favorites. But I can honestly say that after thirty-five years, it still has quite a punch. In fact, I believe that it is probably the most entertaining of the six estrela WARS films produced por George Lucas.
It is easy to see why "A NEW HOPE" is so beloved por many fãs of the saga. The plot, written por Lucas, has the hallmarks of a first-rate adventure filled with o espaço battles, escapes, daring-dos, a lightsaber duel, snarky dialogue, a roguish smuggler, a villain in black, a royal damsel-in-distress (who becomes a protagonist herself), a wise mentor and an innocent boy who respostas the call to adventure. I suspect that another major reason why "A NEW HOPE" is so appealing to many of the saga's fãs is the "good-vs-evil" aspect of both its tale and its characters. It must have been very easy for moviegoers to identify with the movie's protagonists and their fight against the tyranny of the "evil" Empire. For me, the movie's pièce de résistance proved to be the entire sequence aboard the Empire's Death Star. From the moment the heroes' ship the Millennium falcão found itself forced into the depths of the large battle station, to the moment when they escape some 20 to 30 minutos later, the entire Death estrela sequence seemed to be one major fun fest that crackled with humor and action.
With the exceptions of Alec guinness and Peter Cushing, the cast of "A NEW HOPE" was filled with unknowns. I do not recall any well-known movie that Mark Hamill had appeared in before he became famous as Luke Skywalker. But Carrie Fisher, who portrayed the sharp-tongued Princess Leia, had already appeared in 1975's "SHAMPOO". And Harrison Ford, who would become a bigger estrela than either of his co-stars, had worked for Lucas before in the latter's 1973 classic, "AMERICAN GRAFFITI". But all three actors created an excellent screen team. Actors such as Peter Mayhew, who portrayed Han Solo's first mate Chewbacca; along with Anthony Daniels and Kenny Baker, who appeared in all six filmes as the droids C-3PO and R2-D2; added their magic to the mix. Many people have made a big deal over David Prowse's physical and James Earl Jones' vocal portrayals of Sith Lord Darth Vader. And they were quite right to do so. Both actors contributed a great deal to the character. But I have rarely come across any comments about Peter Cushing's performance as the cold-blooded and arrogant military commander of the Death Star, Grand Moff Tarkin. I find that a shame, because I thought he made a very effective villain . . . even mais so than Vader. And of course, there is Alec Guinness, who portrayed Obi-Wan Kenobi. guinness earned an Academy Award for his portrayal of the iconic Jedi Master. And I believe it was well earned. He did an excellent job as Luke's wise and patient mentor, who was haunted not only por his past, but past deeds.
I was not kidding when I had stated that "A NEW HOPE" was not one of my topo, início favorito estrela WARS movies. I believe that it has its flaws. While I found the movie's innocent air and joie de vivre approach to its story very appealing, I feel that the movie lacked a complexity that I believe gave an edge to the other five movies. I am not stating that the story and its characters lacked an emotional depth. There is some depth to both the story and the characters. But aside from the Han Solo character, the other characters seemed to be a bit one-dimensional in comparison. They were either good or evil. I can even say this about the Darth Vader character, who was given an opportunity for a bit of complexity in a scene in which he tried to explain the Force to the Death Star's senior officers staff. While there are many who have no problems with a lack of moral ambiguity, I do. And I have to say that I was mais than relieved when Lucas finally injected some moral ambiguity into his characters, in the franchise's later films.
If there is one movie that initiated my dislike of Tatooine, it is "A NEW HOPE". From the moment the camera focused upon 3PO and R2 trekking across the planet's desert, I found myself struggling to maintain my interest on the movie. It is possible that Tatooine has a talent for putting me to sleep. Only something really exciting has to happen - like Luke and Obi-Wan's first meeting with Han Solo and Chewbacca, along with their subsequent escape from the planet - could keep my interest sharply focused. I also have to admit that I am not a fã of the Battle of Yavin sequence that marked the destruction of the Death Star. It smacked too much of a World War II aerial dog fight, straight out of a 1940s movie. Speaking of that particular decade, I was not that impressed por Harrison Ford's attempt to sound like a 40s tough guy, during Han's argument with Leia following the escape from the Death estrela in the following scene:
LEIA: That doesn't sound too hard. Besides, they let us go. It's the
only explanation for the ease of our escape.
HAN: Easy...you call that easy?
LEIA: Their tracking us!
HAN: Not this ship, sister.
Frustrated, Leia shakes her head.
LEIA: At least the information in Artoo is still intact.
HAN: What's so important? What's he carrying?
LEIA: The technical readouts of that battle station. I only hope that
when the data is analyzed, a weakness can be found. It's not over yet!
HAN: It is for me, sister! Look, I ain't in this for your revolution, and I'm not in it for you, Princess. I expect to be well paid. I'm in it for the money!
I know, I know. It does not seem like much. But hearing Ford spew those lines still make me wince after so many years. I was also disappointed por how Lucas handled the Princess Leia character in this film. I can already see heads spinning over this complaint. Superficially, Leia seemed like the perfect embodiment of a fictional female character of the late 20th century. Her intelligence, courage and razor-sharp wit practically screamed "I am woman, hear me roar!" And yet . . . Lucas dropped the ball with her character in one very significant moment in the film. His screenplay never revealed Leia's reaction to Tarkin's use of the Death estrela to destroy her início planet, Alderaan. Not once. The moment Alderaan blew to smithereens, the movie cut back to the occupants of the Millennium falcão and Obi-Wan's reaction. Audiences saw Leia's reaction to Tarkin's order to destroy the planet. But we never saw the aftermath. We never saw Leia mourn over the deaths of millions of Alderaaneans - including her parents. Instead, Lucas allowed audiences a look at Luke's reaction and grief over Obi-Wan Kenobi's death at the hands of Lord Vader. Even worse, Leia seemed so focused over comforting Luke that she seemed to have forgotten about Alderaan's destruction.
The production values for "A NEW HOPE" still holds up today after so many years. However, I suspect that one can attribute this to Lucas' decision to utilize CGI to make the special effects for the 1977 movie and the other two from the Original Trilogy mais effective and less dated. I realize there are many veteran fãs of the saga who claim that Lucas' CGI retouches were unnecessary. They have also expressed their dislike of the revamped movies. All I can say is that they are entitled to their opinions. I simply do not share them. However, John Williams' score remains as stirring and iconic as ever. John Mollo did an excellent job for his simple and elegant designs for the movie's costumes. However, I am a little peeved that he managed to snag an Academy Award for his work on this film; whereas the Motion Picture Academy failed to give Trisha Biggar even a nomination for her outstanding work in the Prequel Trilogy.
In conclusion, I can happily state that estrela WARS: EPISODE IV - A NEW HOPE" stands up very well after thirty-five years. The movie and the five other films of the estrela WARS franchise remain among the best adventure films ever made in Hollywood, as far as I am concerned. And I can only wonder if George Lucas and 20th Century raposa Studios ever released what it had unleashed upon the world when the movie was first released in theaters back in May 1977.
