Have you ever heard the saying: hindsight is 2020? Basically, it means that it’s easy for someone to be knowledgeable about something after it has happened. This idea has been explored for years in filmes and now filmmaker Gigi Burgdorf brings it to the virtual world in her new short film, “Same Time seguinte Week.”

The premise centers around a group of coworkers in need of a miracle to save their jobs. Desperate to land their latest account, the team conducts a series of brainstorming virtual meetings. During one session, a coworker discovers a software setting that allows him to travel in time and save them all from getting the axe.

Gigi created the film during the pandemic lockdown, using virtual technology and six actors all at different locations. Since releasing, the film has resonated with global festival audiences winning Best Sci-Fi Short Film at London’s Screen Power FF, Award of Merit for Short Film and for Women Filmmakers at the IndieFEST Film Awards; along with nominations for Best Web and New Media at IndieX FF, Best Lockdown Film at Lonely lobo Londres Int’l FF and Best Comedy Short at New Renaissance FF.

Gigi Burgdorf recently answered some perguntas about “Same Time seguinte Week” and more.

Tell us about “Same Time seguinte Week.”

GIGI: “Same Time seguinte Week” is a bit of comedy sci-fi fun, created during lockdown and filmed over video conferencing software in the o espaço of 48 hours. Although the film is very much a product of the pandemic, it’s not actually about the pandemic, though it’s set in the world of virtual meetings which we’re all so familiar with these days. I hope it’s not too much of a spoiler to say that the story involves time travel!

Who do you portray in the film?

GIGI: I play Olivia, who manages a team and is being pressured por head office to reduce the headcount. She sees a possible way to save her team - and her own job - if they win an important pitch. So the stakes are high and she needs to get the best out of the people she manages.

What would you consider your characters ‘best’ quality? And their ‘worst’?

GIGI: Olivia’s best quality is that she cares about her team members and will put her neck on the line to save their jobs. Her worst quality is that she can be a bit impatient and short-tempered. She doesn’t suffer fools gladly and can be abrupt when under pressure.

Where did you come up with the idea for the film?

GIGI: It was really a case of necessity being the mother of invention. I had signed up for a 48-hour film challenge, where you’re given a genre, a character name, a line of dialogue and a prop, and you have 48 hours to craft a film around those. Then the pandemic hit and everyone was in lockdown, so I knew whatever I made would have to be a single character film or be filmed over video conferencing software. When I was assigned the genre of time travel, I said to my partner, “How can I possibly make a time travel movie over Zoom?” Almost immediately he came up with the main plot points of the story, and I set about composição literária the script. If it hadn’t been for the restrictions of the pandemic I don’t think we would have come up with this particular idea.

If you could go land in the future or the past virtually, when would you choose and why?

GIGI: I would definitely go back to the past. I’d amor to visit Georgian London, as I’m obsessed with Georgette Heyer novels and the recent TV series “Harlots”. I’d go back to that era, get some amazing dresses made, take a carriage ride around Hyde Park and go to a ball, but then I’d head back to the present dia for modern sewage systems and women having the right to manage their own lives. I hope the gowns would survive the journey back!

What’s the biggest lesson you learned from creating this project?

GIGI: I learned that having a lot of restrictions can actually help free up creativity. I’m normally a bit of a perfectionist, and I think that’s stopped me from actually making films in the past, as I was caught up in worrying about having the best equipment, the best locations or the perfect script or whatever. The shutdown and all the restrictions of the pandemic forced me to think much smaller and just do what I could with what was available. And it turned out to be a really great experience.

And, do you plan to keep making your own projects?

GIGI: Definitely. I’d like to try making something on a slightly larger scale, filmed in a mais traditional way, so I’m in the process of putting together a team for that. composição literária the script for “Same Time seguinte Week” helped me realize that I’m mais comfortable composição literária dialogue than coming up with the no geral, global story arc, so I’m working with another writer to develop a couple of ideas. The positive reception I’ve had for my first project has really spurred me on to make more.

And, now just for fun:

Who’s your favorito actor/actress?

GIGI: I’m a big fã of Frances McDormand, because she moves so easily from comedy to drama and stage to screen. I amor performances where the actor transforms into the role and leaves their own mannerisms and personality behind. I also really enjoy watching Florence Pugh for that reason. Her character in “Fighting with My Family” was so different to her roles in “Midsommar” or “Lady Macbeth”, and I amor actors who’ve got that chameleon ability.

What role from the past do you wish you could have played?

GIGI: Pretty much any period drama role where I could cisne around a castelo in an enormous gown. I especially amor Gwyneth Paltrow’s role in “Shakespeare in Love”, not just because of the clothes, but also because she essentially plays two roles and gets to do some Shakespeare as well. And she shares a screen with so many of my heroes like Judi Dench, Simon Callow, Anthony Sher and Imelda Staunton. That seems like a dream role.

Favorite movie or TV show from your childhood.

GIGI: The first series I really got into was "Alien Nation", about a human cop and his alien partner in a future time when aliens and humans are sharing the planet. The aliens were allergic to saltwater and got drunk on azedar, azedo milk, which I found hilarious. But re-watching it as an adult, there are a lot of serious messages about tolerance and the dangers of racism, so the story worked on several different levels. To this day, I can still sing bits of the theme song in Tenctonese, the alien language invented for the show. What a geek!

Tell us one thing that would surprise our readers to learn about you.

GIGI: I come from a family of lawyers, and many people are surprised to hear that my dad wrote the Americans with Disabilities Act. We got to cadastrar-se him at the White House to see it get signed into law. That was a pretty inspiring thing to experience as a kid - to see how your actions can literally help make the world a better and fairer place.

How can fãs keep up with you?

GIGI: You can find the latest news on my website: gigiburgdorf.com link
Or connect with me on Twitter: @GigiBurgdorf link
And Instagram: @gigiburgdorf link


Thanks, Gigi – keep traveling and we’ll keep watching!