Mad Max: Fury Road
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It's not that 'Mad Max' cleaned up at the Oscars that matters. It's who won
It's not that 'Mad Max' cleaned up at the Oscars that matters. It's who wonpalavras chave: mad max, mad max fury road, mad max 2015, academy awards
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I remember visiting this website once...
It was called It's not that 'Mad Max' cleaned up at the Oscars that matters. It's who won.
Here's some stuff I remembered seeing:
"Mad Max: Fury Road" roared into the Oscars with a near-sweep of the night\'s biggest technical categories.
Mark Mangini and David White, winners for Best Sound Editing. Photo by Mark Ralston/Getty Images.
It was a huge win for one of the year\'s most innovative, critically-acclaimed, and all-around badass movies.
"Fury Road" deserves all the awards ever for putting women front and center on camera.
But the best part of all the acceptance speeches? Seeing how many amazing women worked on it
Like Jenny Beavan, who won for Best Costume Design.
Lisa Thompson, who (co-)won for Best Production Design.
Elka Wardega and Lesley Vanderwalt, who (co-)won for Best Makeup and Hairstyling.
Sixel is married to "Fury Road" director George Miller, and the story of how she got the job is ... kind of amazing:
"Margaret Sixel initially turned her husband down, asking, \'Why do you want me to do an action film?\'" Miller
"\'Because if a guy did it, it would look like every other action movie," he replied.
That\'s how a truly great and innovative movie gets made — by hiring the people who don\'t ordinarily get asked.
Hollywood is generally pretty terrible at placing women in prominent behind-the-scenes roles. As a result, movies are being made by pretty much the same people who have always made them.
"Fury Road" did the opposite — and got amazing results for it. Why do its action sequences pop? A woman, one who had never worked on an action movie before, edited them. Why does the script do so right by its female characters? Eve Ensler, author of "The Vagina Monologues," consulted on the script.
Seeing all those women up there on the Oscars stage sends a powerful message to young, aspiring filmmakers that creativity knows no gender, and neither does rising to the top of your craft.
A movie like "Fury Road" could only have been made by men and women working together, merging their diverse experiences to create something new, innovative, and thrilling.
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