Well I've been leitura many artigos about this singer and actually really nothing has went wrong. She just had her major spotlight and now it went a little dim but she still has her main core fã base especially in Japão and China actually. She still has many fãs in other countries too but she doesn't have a whole lot of fãs in America as she did back in 2002. What are the reasons who really knows cuz everybody has different reasons about why they change artist for why they don't like this artist no mais just like she grew up people's tastes have changed. She is still a viable artist with...
Here's my ideas for 31 Candles: Avril Lavigne's Unforgettable Moments.
1. She's from Canada 2. Late 90s/early 00s is full of nostalgia 3. 2002 4. Complicated, the one that started it all 5. The Matrix 6. Let Go, Avril's first album 7. Avril on TRL 8. He was a boy, she was a girl 9. I'm With You 10. Avril won a nomination on mtv VMAs 11. Avril received 8 Grammy nominations 12. fãs loved the first two albums 13. So much for my happy ending
In my last articles, I talked about why Avril Lavigne needs to make an album without any bratty songs for seguinte ano and why Avril Lavigne needs to resign Sony música Entertainment and moved to Universal música Records.
As you may know that Avril Lavigne has dominated the música department in 2002 with Let Go and its 3 number 1 singles, Complicated, Sk8er Boi and I’m With You. Plus, Losing Grip with is her most serious song of all her Let Go era songs even though Losing Grip doesn’t do great in the charts and the música video released on the awful 2003 encontro, data instead of a very good...
You know something? This reminds me of something. I think Avril Lavigne needs to resign Sony música Entertainment because Sony música Entertainment can’t stand Avril Lavigne and Sony música Entertainment only wants big names and RCA like Beyonce. That’s all Sony música Entertainment does, big names and RCA. You see, Avril Lavigne only appeals early 2000s and Asia. It does not appeal Avril Lavigne materials in general like Under my Skin (despite the album sold well and fãs amor it). Worse, Sony música Entertainment refuse to get familiar with Avril Lavigne after her career was just getting...
oi there, Avril Lavigne readers. I’ll be talking about a new Avril Lavigne album for seguinte year. As you may know that 2010s is a very difficult decade for Avril Lavigne. Avril Lavigne making new música still only have bratty songs and Japan. America hates Avril Lavigne like Girlfriend. fãs still only like Let Go/Under My Skin and Avril Lavigne is huge in the public still only have Let Go era/Girlfriend. Arista is gone. Sony música is moving away from Avril Lavigne and only wants big names and RCA like Britney Spears and Miley Cyrus respectively. RCA/Epic Records ruined Avril Lavigne songs...
I will all of you that I think mtv VMA wants Avril Lavigne appearing on mtv VMA back.
Last year, Avril Lavigne gives props to Miley Cyrus’s VMA Performance and claims that she’s young & expressing herself. Let's not forget Miley Cyrus performing her awful We Can't Stop with Robin Thicke after he sings his overrated Blurred Lines. Stupid Blurred Lines and We Can't Stop. Let's continue.
It’s what everyone’s talking about since mtv aired its infamous Video música Awards last ano about Miley Cyrus‘s provocative and edgy performance...
Hello, Little Black Stars. It’s time to talk about why rock música stations needs to play Avril Lavigne songs. I hope you enjoy it.
Now, as you may know that pop música stations are getting tired of Avril Lavigne. So what we need for Avril Lavigne is mover her música to rock música stations this ano that way pop música can finally get out of Avril Lavigne for good.
So in order for rock radio to play Avril Lavigne, here’s a good suggestion, never ever play Girlfriend, What The Hell or Hello Kitty on rock radio. That means, Girlfriend or Goodbye Lullaby singles like...
As you all know that we spent a weekend listening to only Avril Lavigne albums to figure out where it all went wrong.
It’s hardly surprising when a pop estrela becomes a punchline. A life in the public eye is challenging at the best of times, let alone in a digital age when scorn and mockery are easy tactics to cope with mass culture’s persistent attempts to tell us what to buy/consume/listen to. Some pop stars manage to rebound from the jokes; others get buried under them.