regina e emma
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Tell me again it’s not canon.
Tell me again it’s not canon.
por fahrai
palavras chave: once upon a time, swanqueen, lana parrilla, regina mills, the evil queen, jennifer morrison, emma cisne, the savior
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I remember visiting this website once...
It was called Don't Miss cisne Me • Tell me again it’s not canon.
Here's some stuff I remembered seeing:
My name is Alicia. Twenty something. I like the ladies, a lot. I like to blog about pretty ladies. A lot. Taken. I\'m Swan Queen trash and that\'s basically all you need to know about me.
True Love, Tallahassee, Regina’s Price. Cues and keys and crescendos, intertwined, layered again and again, pinned to scenes with the creator’s approval. Operation Mongoose? A TL motif. Going Home? A TL motif. Sacrifices, magic, teamwork? A TL motif.
Red and grey and black and back again. Plaid–confusion, discontent. Deep blue–loneliness, searching for family. Shared clothing, further intertwined. Parallels and callbacks to past couples, inciting conscious and subconscious connections. Why do they share this look instead of them or them?
Gallant knights with golden hair all in white abreast upright steeds. Splashes of color reflecting mood. Mirrors reflecting each other. Seals and symbols–the Tallahassee and Storybrooke, the dreamcatchers™, mirrors. All mirrors. Unicorn mobiles linked to unicorn hearts. A black unicorn, an unused mobile–innocence lost, never gained? White horses, black swans.
Iconic shots, tricky angles, cued reactions–focus on her, not on him–which mean something. Rom-com zooms, reflections capturing both, pans guiding our attention to the thoughts behind the dialogue. Everything means something.
The magic to transcend realms. Unstoppable. Unbeatable. Wholehearted understanding, from one to the other. Mirrored storylines and struggles. Intertwined fates–both share a True Love already, after all. Longing glances, jealous quips, situations that require the one to save the other, then the other to save the one. Ultimate sacrifice. All canon. “I saved you, now save me.” “With you, I always know.” “I know you.” They’re stronger together than apart, time and time again.
Yes, it’s in subtext. It’s in innuendo and acting choices, it’s in interpretation and suggestion.
But when it’s built into the very foundation of the show–the Savior meets the Evil Queen–it’s not delusional. It’s not unintentional.
Either the wardrobe department, the music department, the prop department, the actors, and the editors are all going rogue…or someone told them to put it in the music, the wardrobe, the scenery, the camera direction, the subtext, and the text.
Tell me again Swan Queen isn’t canon.
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